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Archive for the ‘Photo Print Collector’ Category

Notable: Bath and Barn 33, Juliet Harrison, Limited Edition Portfolios

In Black and White Photography, Books, Photo Print Collector, Photographer on November 20, 2014 at 1:03 pm

Our friend Juliet Harrison, best known for her stellar equestrian photography, is back with two limited edition portfolios just in time for the holidays.

The first two of the Limited Edition Folios are ready for special order. These are the first of an ongoing series of Collector portfolios of themed prints. Folios contain between 6 and 8 archival cotton rag signed and number 8 1/2″ X 11″ prints. Each folio comes in a special folder with a signed and numbered cover page. Each folio edition is limited to 15 copies.BATH is the first in the series. BARN 33 is the second set.

The images in BATH were shot at the Saratoga Springs Race Course in August of this year. The Folio contains 6 archival 8 1/2″ x 11″ cotton rag prints.2 folios of BATH have already sold, leaving only 13 still available for order.

$180.00 (plus $10.00 shipping within the US)

The second folio in the series, BARN 33 , contains 8 images of roosting pigeons shot also at the Saratoga Springs Race Course in August of 2014.

For fans of equestrian, nature in general and photography, Harrison’s work is worth checking out. These folios will provide a great glimpse into her work so if you’re interested, act quickly before the opportunity expires.

For More Information: Juliet Harrison Bath / Barn 33

Preview: Philadelphia “Lensman”, Bruce Murray Sr. & Jr., Twenty-Two Gallery, Philadelphia, PA

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on November 9, 2014 at 12:24 pm
Bruce Murray Sr. atop the  Curtis Building in 1918

Bruce Murray Sr. atop the Curtis Building in 1918

Father and son joining each other in profession is an idyllically discussed concept occurring less and less frequently. Twenty-Two Gallery presents Bruce Murray Sr. and Jr in a true Philadelphian exhibit of Americana and yesteryear.

An exhibition of two generations of true American photographers, capturing America in beautiful black & white images spanning over 50 years.  The father & son duo both started their photojournalist careers in Philadelphia as press photographers.  Their archives of works are preserved by their son [and grandson], Shawn Murray.  Shawn, as a third generation photographer, prints their work for all to appreciate and cherish … as he does.  The subject matter of these timeless images range from Baseball legends in the 1920’s, Babe Ruth and Connie Mack… to a pie eating contest at a city street party in the 1950’s.  They evoke great memories and heart warming feelings…  Printing from the vintage large format negatives makes the clarity, richness,
depth-of-field & pure quality of these fine art photographs.
If your a fan of photography, baseball, history or Americana, then this show is a must see.The photographs also make wonderful unique giftsfor the holidays.

Opening November 14th, visitors to the gallery are sure to be privy to some special documentary style photography. If you can’t make the opening, your time to get in and visit is brief; the exhibition will conclude December 1st.

For More Information: Bruce Murray

Notable: Light Work Announces its 2015 Artists-in-Residence

In Black and White Photography, Photo Print Collector, Photographer on November 6, 2014 at 6:18 pm

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Who wouldn’t want to get paid to use their creative side and do what they love. For the following handful of artists, Light Work – based out of Syracuse, NY – has given them the chance to do exactly that in 2015.

 

Every year Light Work invites between twelve and fifteen artists to come to Syracuse to devote one month to creative projects. Over 400 artists have participated in Light Work’s Artist-in-Residence Program, and many of them have gone on to achieve international acclaim.

The residency includes a $5,000 stipend, a furnished artist apartment, 24-hour access to our state-of-the-art facilities, and generous staff support. Work by each Artist-in-Residence is published in a special edition of Contact Sheet: The Light Work Annual along with an essay commissioned by Light Work. Work by former Artists-in-Residence is also part of the Light Work Collection.

We are pleased to announce the 2015 Light Work Artists-in-Residence!

George Awde

Whether or not these people strike a chord with our readers yet, the fact that a group such as Light Work is providing them residency is something of note. Keep an eye out for future endeavors from them.

For More Information: Light Work

Preview: “A Separate View” Christopher Kennedy and Richard Sherman, Red Filter Gallery, Lambertville, NJ

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on November 1, 2014 at 1:35 pm

Chris Richard Promo

Red Filter Gallery is proud to present the work of Christopher Kennedy and Richard Sherman. Kennedy uses light abstractions to produce wonderful images that examine  reality with imagination. Richard Sherman takes advantage of his wide travels to present landscapes from South America that have a magic all their own.

“Things Known and Things Unknown”

My images  utilize the Photo Luminism technique, a method I devised for creating complex abstractions of light. It involves rehearsed manipulation of the camera, settings and lens that have been meticulously crafted  to recreate an image in my mind.  – Christopher Kennedy

“Patagonia: Nature’s Elements as Adversaries”

My photographs range from serene landscapes and seascapes to dramatic black and white images and beautiful color abstracts. I travel extensively and will be exhibiting select black and white images from Patagonia in this series. – Richard Sherman

Both artists have exhibited in multiple venues and have placed their works in collections spanning a broad area of interest.

November 4 until January 11

For more information:Red Filter Gallery

Preview: Ian Ruhter “Silver & Light”, Fahey Klein Gallery,LA

In Exhibits, Gallery, Photo Print Collector, Photographer on October 21, 2014 at 1:14 pm

Ian Ruhter Exhibition

 

A new exhibit for Ian Ruhter:

Ian Ruhter had been working as a successful commercial and sports photographer when he first discovered the wet plate collodion process.The nineteenth century photographic process involves pouring a liquid mixture of iodides, bromides, and a solution called collodion over a glass or aluminum plate. The plate is then bathed in silver nitrate, making it light-sensitive. The plate must then be quickly exposed and developed in just a few minutes, before the collodion dries and loses sensitivity. The process is expensive, laborious, and extremely unpredictable. Temperature and moisture affect the chemicals greatly and can entirely alter the developing process, ruining a wet plate. But the results of this labor intensive process are undeniable– a completely unique and incredibly detailed image, with rich layers of silver suspended in emulsion producing a three dimensional effect. Because the process is produced and controlled entirely by hand, each plate is inherently unique, with the chemicals’ process leaving irregular and impossible to reproduce beautiful ghostly shadows, halos, and ripples in each plate.

Now through November 29.

For more information:Fahey/Klein Gallery

 

 

Notable: Eadweard Muybridge Panorama, Scott Nichols Gallery, San Francisco, CA

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on October 16, 2014 at 10:56 am
San Francisco Panorama, Eadweard Muybridge

San Francisco Panorama, Eadweard Muybridge

The adage is that things used to be made better. There are multiple pieces of evidence, however,  they didn’t always recognize how good was the quality. Case in point, this great find:

This San Francisco Panorama photograph by Eadweard Muybridge hung in the Crocker Land Company offices at 560 Market Street for decades. Recently it was rediscovered by a collector who recognized its value as one of the rare Muybridge panoramic views of San Francisco measuring over seven feet long and housed in a handsome period wooden frame.

11 mounted prints, 1877. Printed & mounted by TE Hecht circa 1895, from Muybridge’s original negatives.

Dimensions:
Frame: 19-1/2” x 97-3/8”
Mount: 11-7/8” x 89-7/8”

It’s not that often a photo with size this staggering, let alone the provenance, appears on the scene. Add to the fact that it so beautifully portrays one of America’s most admired cities, any fan of photography within a stone’s throw of the Golden Gate should give it a look.

For More Information: Scott Nichols Gallery

Notable: Peter Treiber “Ethereal Luminescence” Kickstarter Campaign

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on October 14, 2014 at 10:52 am
Image Courtesy of Peter Treiber

Image Courtesy of Peter Treiber

Emboldened by the response received thus far for his “Ethereal Luminescence” work, Peter Treiber is looking to take the plunge and display his works at Spectrum Miami. If unfamiliar, Spectrum Miami is a five day juried art fair featuring everyone from the artists themselves to the publishers themselves. Success and exposure here could help launch Treiber land his next great opportunity.

These photographs were created with a new and unique camera technique which I created and which viewers seem to love. The New York art critic and writer, Renee Phillips, described this work as, “…a mesmerizing symphonic explosion of color, light and motion.” One of Renee’s readers, C. J., said, “I’m never at a loss for words…count this series of photographic fine art as a first! Thank you for showing your exceptional art to us.” Philadelphia’s Broad Street Review art critic, Anne R. Fabbri, described “Ethereal Luminescence” as “…”dynamic, abstract compositions in vivid, pulsating colors… raises one’s energy level— just what’s needed.”

With these photographs I seek to interpret the joy, excitement and pleasure of public events, such as, fireworks, light shows, urban street scenes and amusement parks. My primary criteria as a photographer is to make beautiful images, but to make that beauty eye-catching, both dynamic and fascinating.

The union between the motion we live in and still photography which captures that motion seems to be the place where this “dynamic beauty” fuses.

Through its abstraction, these photographs interweave the drama and excitement of the vibrant and colorful public places that we enjoy so much.

Treiber has already reserved the space and is looking for help in order cover the costs of the risk he is taking. As fans of his, we find the risk to be well worth it and hope he reaches his funding goal. Those interested in contributing will have until November 7th to make a pledge.

To find out more or contribute: Peter Treiber Kickstarter

Preview: Masters of Photography, Lumiere Gallery, Atlanta Gallery

In Black and White Photography, Exhibits, Gallery, Photo Print Collector on September 25, 2014 at 11:25 am
Mendenhall Glacier, 1973, Brett Weston

Mendenhall Glacier, 1973, Brett Weston

Every gallery, at one time or another, seeks to put on a true showstopper of an exhibition. Compiling the finest of what they have available in their collection, Lumiere is currently exhibiting their “masters”.

These prints from the cameras of twenty different photographers include iconic images from the artists’ larger bodies of work. From California to New York … from Paris to Uzbekistan … they span a spectrum of themes: including urban structures, traditional landscape, portraiture, abstractions and social commentary.

The exhibition was also curated to underscore the importance of relationships and collaborations. Edward Weston with his sons, Brett and Cole – as well as Wynn Bullock; Ansel Adams with Al Weber and Pirkle Jones; and Jones with Dorothea Lange.

The artists: Berenice Abbott, Edward Weston, Ansel Adams, Alexander Rodchenko, Dorothea Lange, Georgi Zelma, Boris Ignatovich, Bill Brandt, Al Weber, Imogen Cunningham, Brett Weston, Tom Neff, Margaret Bourke-White, Andre Kertesz, Aaron Siskind, Arnold Newman, Pirkle Jones, Paul Strand, Edouard Baldus and Wynn Bullock have left a legacy that will inspire us for years.

There is also an online gallery available, so if travel plans to Atlanta are not in the works, take a look on Lumiere’s website.

Fore More Information: Lumiere Gallery

Preview: Women – Seeing and Being Seen, Scott Nichols Gallery, San Francisco, CA

In Black and White Photography, Gallery, Photo Print Collector, Photographer on September 16, 2014 at 11:13 am
Untitled: 26061208 ,Niniane Kelly, 2012

Untitled: 26061208, Niniane Kelly, 2012

The female form has been perhaps the most ubiquitously discussed concept of human anatomy. At the very least, it has provided the muse for many an artist and photographer, not to mention Scott Nichols Gallery’s latest exhibition.

The exhibition’s nearly 60 photographs of women ranging from circa 1870s to the present explore the myriad ways in which female, and male, photographers view women and how women choose to be seen. It includes the work of Ansel Adams, Kiichi Asano, Ruth Bernhard, Anne Brigman, Wynn Bullock, Imogen Cunningham, Judy Dater, Margo Davis, Monica Denevan, Mona Kuhn, Dorothea Lange, An-My Lê, Lynn Hershman Leeson, Linda McCartney, Annette Lemieux, Barbara Morgan, Hiroshi Osaka, Paul Strand, Brett Weston and Edward Weston, among others.

A complementary show in the smaller gallery features Dorothea Lange and the work of several of her contemporaries including Ansel Adams, represented by his documentation of women belonging to the group of 110,000 people of Japanese ancestry interned in camps during World War II.

The subject of women for a photo exhibition can be rife with stereotypes and predictable patterns. Here the tropes of women in the nude and in nature, as well as fashion photography are juxtaposed with humorous images such as Roger Minnick’s tourist at Inspiration Point, Yosemite, and Annette Lemieux’s spooky, sobering Apparition. Edward Weston’s Erica, Point Lobos is a less familiar representation of his work: his granddaughter on a beach the year before he stopped photographing. The women photographers of Group f/64 represented may be seen to replace the appropriation of certain of these tropes with ownership of an alternative way of “seeing and being seen.”

Read the rest of this entry »

Preview: “And Here We Are …”, Red Filter Gallery, Lambertville, N. J.

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on September 9, 2014 at 1:50 pm

Postcard_AbdoneyAlbert

With two very different approaches to monochromatic photography, the photographs of Kelli Abdoney and Sandy Alpert are on display at Red Filter Gallery in Lambertville NJ.

Caithness and Sutherland Landscapes

“I find the landscapes of Caithness and Sutherland quite extraordinary. There is an overwhelming energy in the rugged battered coastlines and a powerful sense of history and prehistory that saturates the land. The 180-degree horizon, which cradles an abundance of weather from dawn to dusk, the sprawling landscapes that have sustained man and the clarity of it’s light are only but a few of Caithness and Sutherland’s physical qualities.”  -  Kelli Abdoney

The Vertical Expression of Horizontal Desire

“For three minutes, the dancers of the tango allow the music to transport them into another world; one of their own creation.  Imagined moments … the stud, the seductress, the prostitute, the cuckold seeking retribution with the much-younger woman who delights in his touch.  I watch these fictionalized characters come to life in their faces, in their bodies as they succumb to the seductive rapture of the syncopated rhythms.”  -  Sandy Alpert

Both artists have exhibited in multiple venues both domestically and internationally and have placed their works in collections spanning a broad area of interest.

Now through November 2

For more information: Red Filter Gallery

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