Photography is often mitigated to a documentary vehicle in the minds of the average person. Fortunately in the world of art and photofiles, people such as Ray K. Metzker are around to continually push the boundaries of what people can expect from the camera.
Esteemed as a photographer, Ray Metzker’s creative practice was nevertheless unbounded by the conventional borders of the medium. Metzker sought out methods that allowed him access to the full potential of photography as an art form. He continually explored the medium’s untapped possibilities; at various times embracing the roll of film as a single picture, using the prints as building blocks for composite works, and even setting aside the camera to explore the expressive potential of the developing process itself.
Nowhere is his spirit of creative curiosity more evident than in the unique, non-editioned works that he crafted at every stage in his career. These one of a kind pieces are the focus of our new exhibition, many of them shown here for the first time.
A broad range of techniques and sensibilities are on display in this group of pictures. Even in some of the earliest pictures, dating from 1957, objects have been dissolved past the point of recognition leaving form and light as the subject. The world that comes back into focus later in the exhibition is often the natural one, as in his photograms from the 1990s where ghosts of leaves are traced onto the paper itself. Towards the end of the show’s chronology there are light-drawn “landscapes” where wind whipped clouds and darkened horizons rise up not out of a camera’s aperture but from light and the darkroom’s chemicals alone. There is an elemental quality to these later works: they seem to be striving to depict an essence more than an image.
Some of the most revealing works included are the pieces that employ only cut and folded paper. Metzker was always a very material photographer, as his darkroom manipulations attest, and in these works it is as if concerns of photographic exposure have fallen away and he is directly arranging light and shade in this most tactile of ways.
Opening this week on September 4th, people will have until October 25th to catch this unique exhibit.
For More Information: Ray K. Metzker