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Posts Tagged ‘Fine Art’

Notable: John Myers, New York Times

In Article, Black and White Photography, Photographer on May 14, 2012 at 10:26 am

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Photograph by John Myers

Roll through the NYT slide show and see seminal photography from 40 years ago, previewing  the work of the next 30 years in fine art photography.

He was influenced by the photography he found in books at the local library — John Szarkowski’s “Photographer’s Eye,” for example — and the work of photographers like August Sander and Diane Arbus. “I really did object to the world of, particularly, Ansel Adams and that kind of American photography, which is highly technical — it’s almost like creation in the darkroom.” A 1972 retrospective of Arbus’s work had a particularly strong impact. “She talked about technique and she used the phrase ‘my technique is adequate,’” he said. “All of that kind of magic and darkroom messing around just kind of disappears, and you’re actually left with the real world.”

For Myers, the real world was Stourbridge, the “normal small English town” that has been his home for nearly 40 years, and where most of his pictures were taken. His subjects, shot using a 4X5 Gandolfi camera, were people he knew and their children, as well as the houses and roads around town. “There’s nothing particularly remarkable about where I actually ended up working and living and eventually marrying and settling down,” he said. “This is the world that the great majority of people live in.”

 

For more information: NY Times

Preview: Andrea Modica: Best Friends, 339 Gallery, Philadelphia

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on May 7, 2012 at 5:43 pm

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Loomis Chaffee School, Windsor, CT

One of our favorites, Andrea Modica is back with a series of “friends” portraits in platinum.

The interaction between the friends, the physical and fashion similarities/contrasts, and the way the students reacted to Modica, provided an opportunity to look at friendship and sense of self among adolescents today, as well as how they differ between countries.

Capitalizing on the slow, interactive nature of 8×10 portraiture, Modica was able to penetrate some of the defensive masks and behaviors of the students to show fragments of who they are as friends and individuals. Beyond the obvious surface information (physical opposites drawn together; mirrored pairs who have found each other), Modica’s images let us see things like the bravado which has slipped for one boy, yet remains intact for his friend, or the defensive, protective pose one girl takes on behalf of the other. Notably, Modica is able to reveal elements of the personal, which elevate the pictures well beyond social observation. The subjects engage us as individuals, and through that connection we are briefly drawn into the complexity, anxiety and excitement of adolescent life.

Now through July 21, 2012

For more information: Gallery 339

Preview: Beth Moon and Elizabeth Opalenik at Verve Gallery, Santa Fe , New Mexico

In Black and White Photography, Exhibits, Gallery on May 1, 2012 at 4:55 pm

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Beth Moon

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Elizabeth Opalenik

Verve has impeccable taste in its artists … these two ladies are no exception.

Beth Moon’s photography examines the relationship between humans and earth’s creatures. Her tree images focus on their majesty and solitude. Her recent work took our intrepid artist to the island of Socotra in the Gulf of Aden off the coast of Yemen. Socotra, with a sparse and arid landscape, is the home to nine species of trees, all unique to the island. Beth’s portrait of the Dragon’s Blood Tree in Socotra pays special tribute to a distinctive tree that stands tall with a vertical trunk and an out of reach and arching umbrella canopy. Included in the exhibition are Beth’s prints from the Seen but Not Heard series, a body of work that examines the role of children in an adult world. Finally, in Augurs and Soothsayers Beth captures the regal essence of capons, feathered fowl as seen at their finest.

Elizabeth Opalenik exhibits recent images where she uses the Mordançage process. Elizabeth reconfigures the darkest emulsion of a gelatin silver print to make it into a veil or drapery. Once the emulsion is loosened from the paper she rearranges the emulsion so as to create a complementary veil that adorns the subject of the photograph, Elizabeth’s dancers and nudes. In addition, Elizabeth will be exhibiting platinum palladium prints from A Journey Home, a body of work where she photographed the Amish in Pennsylvania. Elizabeth was raised near this Amish community and found solace in their company while tending to her mother who was ill. The images in this series are very personal and yield a body of work that portrays a people living serenely and in harmony with the gentle rolling manicured landscape found in the western part of the state.

Now through June 2

For more information:

Verve Gallery

Preview: Chip Forelli, “Terra Emota” at Red Filter Gallery, Lambertville , NJ

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on April 23, 2012 at 7:04 pm

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Chip Forelli begins his “Terra Emota” exhibit this week at Red Filter Gallery.

Chip Forelli’s photographic career encompasses 25 years as a professional photographer with international gallery representation and publication credits including the cover and a feature profile in Communication Arts as well as articles in Photo District News, Graphis, Lenswork, Rangefinder and Lürzer’s Archive. His images have been incorporated into all Apple Macintosh operating systems as desktop background choices.

Solo exhibitions of his work have been at the Steinhardt Conservatory Gallery of the Brooklyn Botanic Garden, the Mercedes Benz Gallery of New York, the Art Institute of Atlanta, the Whyte Museum of the Canadian Rockies and Hoopers Gallery in London, England. In reviewing the shows, the New York Times has noted, “These photos cover an impressive range of ideas and interpretations… revealing uncanny simultaneous experiences with alternating haze and hard edged clarity… absorbing examples that tease perception and
intense compositions that bring in an otherworldly lighting contribute to a spiritual quality.”

April 26 – July 1

Reception Saturday May 5, at 3pm

For More information: Red Filter Gallery

Preview: IDEAL FORMS: PHOTOGRAPHS BY FREDERICK H. EVANS, Eastman House, Rochester, New York

In Exhibits, Art Museum, Black and White Photography, Photographer on April 16, 2012 at 6:18 am

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ELY CATHEDRAL: ACROSS THE TRANSEPTS, 1897
Frederick H. Evans

For Evans lovers there is a new exhibit at the Eastman House.

Early in his career Evans owned a popular bookshop where he came to know such artists and literary figures as Aubrey Beardsley and George Bernard Shaw. A man of catholic interests, Evans surrounded himself with people, ideas and things that stimulated him both intellectually and aesthetically. His choices of photographic subjects reflect these wide-ranging interests and also demonstrate his skill as a photographer. No other photographer has captured ecclesiastical spaces with such emotion or enabled the platinum print to render their stones edifice so perfectly.

Throughout his career Evans aimed to record the ideal forms that exemplified his life-long appreciation and study of the beautiful. Beauty, for Evans, was the recognition of the connection between the spiritual and the physical. From his images of microscopic specimens to his photographs of cathedrals, Evans’s work is imbued with the recognition of the divine interrelation of all matter.

For more information: Eastman House

Notable: AIPAD NY SHOW a great success (according to AIPAD)

In Art Fair, Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on April 9, 2012 at 12:12 pm

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Direct from AIPAD communications staff:

New York – Attendance was record-breaking at the 32nd edition of The AIPAD Photography Show New York, which closed on Sunday, April 1, at the Park Avenue Armory. The Show, which is the longest-running exhibition of its kind in the world, reported strong sales across the board and will be remembered by many as the best AIPAD ever. Attendance increased by ten percent to 11,000, up from 10,000 last year, representing the largest crowds ever for the Show.

“We had a spectacular show,” noted Martin Weinstein of Weinstein Gallery, Minneapolis, who sold work by Alec Soth, Robert Mapplethorpe, and Vera Lutter. “It was our best AIPAD,” said Barry Singer, Barry Singer Gallery, Petaluma, CA, who sold 33 photographs, including prints by Ansel Adams and Minor White.
“ The gallery sold prints by Imogen Cunningham for $35,000, as well as photographs by Peter Sekaer and Dorothea Lange.
“Energy is up. People are excited,” noted Yossi Milo Gallery, New York. “We are very happy with sales.” Charles Isaacs Photographs, New York, sold an 1858 albumen print by Gustave Le Gray for $175,000 and an 1865 photograph of the moon by Lewis Rutherford for $30,000.
David Zwirner, New York, presented a solo exhibition of new work by Philip-Lorca diCorcia and sold a number of prints, including several large-scale photographs for $25,000. The Weston Gallery, Inc., Carmel, CA, sold Paul Strand’s Central Park, New York, a platinum print from 1915-1916, for $195,000. A lantern slide of the image is in the Paul Strand Collection at the Philadelphia Museum of Art.

“There was a good assortment of visitors ranging from institutions and collectors to new buyers,” noted Monroe Gallery of Photography, Santa Fe, NM, which sold more than 45 photographs, including Stephen Wilkes’s Day to Night, 2011, for $35,000.
 
“We saw a lot of American curators that don’t make it to Europe since their travel budgets have been slaughtered,” commented Daniel Blau, Munich. Gary Edwards Gallery, Washington, DC, noted the overall impression of AIPAD was “excellent” and sold J. B. Greene’s Algeria, an 1856 calotype, for $40,000.
 
New exhibitors to AIPAD such as Sasha Wolf of Sasha Wolf Gallery, New York, said the show was “great” and that they “met a lot of fabulous people.” The gallery made more than 20 sales for their artists, including David Nadel and Catherine Wolkoff. Alan Klotz Gallery, New York, found buyers for 17 photographs, including works by Aaron Siskind for $9,000 and Harry Callahan for $12,000. 

Etherton Gallery, Tucson, sold work by Duane Michaels, O. Winston Link, Lee Friedlander, Bruce Davidson, and Harry Callahan, among others. Steven Kasher Gallery, New York, sold a number of photographs by George Platt Lynes for $10,000, as well as work by Weegee, Christopher Thomas, Vivian Maier, and Chip Simone.  Throckmorton Fine Art, New York, sold works by Tina Modotti, in the $50,000 range.

 

Have a Happy Holiday!!

Notable: AIPAD 2012–Photograph Collectors’ portraits

In Art Fair, Article, Photo Print Collector on April 2, 2012 at 3:50 pm

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La Lettre covers photography daily… worldwide. For the AIPAD days, we thought the coverage was great. One article on photograph collector’s thoughts by Stephen Perloff was especially good.

Taking advantage of the opening of the AIPAD photography show yesterday afternoon in New York, La Lettre presents nine New York art collectors with various backgrounds. Stephen Perloff asked the same questions to each one of them and Gilles Decamps was there with his camera. Their answers are often fascinating. You be the judge.

To read the article: La Lettre

On Site: Best of 2012 AIPAD Show, NYC, NY

In Art Fair, Black and White Photography, Exhibits, Gallerist, Gallery, Photo Print Collector, Photographer on March 30, 2012 at 1:12 pm

One of the highlights of the season is the AIPAD show at the Armory in New York.

This year there is a great deal to see and do with over 75 photography dealers present.

This show seems more international along with even more vintage prints than contemporary work this year.

Pricing is definitely moving up with $2000 prints a couple of years ago now in the $4000 range.

Rather than give you a tiresome analysis,  may we suggest a few stops on your tour … should you be lucky enough to attend this weekend.

  • Etherton Gallery for Gowin and Callahan prints
  • Gallery 339 for Rita Bernstein and Ion Zupku
  • Throckmorton Fine Art
  • From South America Galeria Vasari
  • Peter Fetterman,Elizabeth Sunday prints
  • Laurence Miller, Ray Metzker composites
  • Scott Nichols Gallery has a lovely Adams “Moonrise” for just $170,000, if that is your taste.
  • Gitterman and Howard Greenberg galleries for their breadth of quality work.

Through April 1 (This Sunday)

For more information: AIPAD Show

Preview: John Goodman, “The Same Dark Place”, Scott Nichols Gallery, San Francisco

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on March 14, 2012 at 7:42 pm

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Karl LeShore, Times Square Gym, 1993

The subject of boxing has produced some great documentary photographs … but boxing photography as art?

A student of the influential abstract expressionist Minor White, John Goodman credits White with teaching him the difference between seeing and looking. It was serendipitous that Goodman looked across 42nd Street and Broadway in 1993 and saw the sign in a grungy second floor window: Time Square Gym. The area was designated for redevelopment and in its final eighteen months Goodman documented Jimmy Glenn’s legendary 42nd Street gym, paying homage to a sport where “men imagine great moves in glorious fights against phenomenal opponents.”

In 2000, Goodman travelled to Havana, Cuba as part of a cultural exchange program, teaching a workshop and exploring Havana’s wonders. In his own statement, “being in Havana is very much like living in a ruin with its history crumbling before your eyes, as its spirited peoples revel in life’s obstacles.” The Times Square Gym and Havana images exist in the same dark place of mystery, ceremony and fleeting figures.

March 1st – April 28th, 2012

For more information: Scott Nichols

On Site: Houston Fotofest

In Art Fair, Art Museum, Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on March 9, 2012 at 4:09 pm

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Next week we will be at the bi-annual Fotofest event in Houston and will be reporting back from the many exhibits and portfolio reviews taking place.

FotoFest® created the first international Biennial of Photography and Photo-related Art in the United States. FotoFest®     is an international non-profit photographic arts and education organization based in Houston, Texas.

FotoFest’s purpose is to promote the exchange of art and ideas through international programs and the presentation of photographic art. Our programs work globally and locally, bringing together an international vision of art and cross-cultural exchange with a commitment to community involvement and the enrichment of Houston’s cultural resources.

For dates and more information: Fotofest

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