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Archive for the ‘Photo Print Collector’ Category

On Site: “Alchemy”, Photographs by Bronwen Hazlett, Red Filter Gallery

In Black and White Photography, Exhibits, Gallery, Photo Print Collector on June 1, 2018 at 2:54 pm

Drained by Bronwen Hazlett

Drained, Bronwen Hazlett

Using an alternative printing process, Bronwen Hazlett brings a mystic touch to abstract photographic scenes …

During the process of painting chemistry and exposing imagery, I push emotions and reality into something indiscernible but felt.   I coerce chemical reactions like my own reactions to hopes colliding with reality.

Now through June 30.

To view the exhibition: Red Filter Gallery

Preview: Photograms | Literary, Wendy Paton, Artsource Loft, NYC

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on May 14, 2018 at 10:43 am

#46 Photograms  Literary©Wendy Paton

One of the great beauties of photography is the unique perspective photographers can create within this flexible medium. Such is the case with Wendy Paton’s latest exhibition at Artsource International at the Artsource Loft in New York City where Paton’s works, are curated as “Photograms | Literary”. The collection takes special advantage of the visual architectural elements of books, and are presented in an almost ethereal light. These Black and White visual constructs are indeed unique.

The exhibition features an extensive selection of Paton’s series of dynamic, gelatin silver Photograms using the literary and artistic world of books as her subject.
Utilizing the age-old photographic process also known as camera-less photography, the artist has created a visual language that metamorphose a literal and literary object, the book, into an interpretation of artistic abstraction. Paton boldly emphasizes the contrast of the printed word on paper and the fast conquering digital form, rapidly changing both the literary and photographic mediums. “As printed books are fading from our lives, being replaced by the digital medium, so is the gelatin silver photograph being replaced by our mobile phones and digital photographic technology.”

#54 Photograms Literary©Wendy Paton

Paton’s new book “Photograms l Literary, FLIGHT”, a limited edition, signed and numbered artist book (pub. Brilliant – Press, USA) will be introduced at the opening with the artist in attendance.

Wendy Paton is an award winning American photographer best known for her dramatic black & white, candid, nocturnal portraits, first seen in her series and monograph, Visages de Nuit. Paton’s work, including selections of Photograms l Literary, has been exhibited in solo U.S. and international gallery and museum exhibitions. Her photographs are included in the the permanent collections of the Bibliotheque Nationale de France – Spallart Collection, Austria – Musee de la Photographie, Belgium – James A. Michener Art Museum, U.S. – International Center of Photography, NY,U.S. – Lumiere Brothers Center of Photography, Moscow – Personal Collection of Prince Albert II of Monaco, and many notable private collections.

The exhibit will be opening May 17th and concluding on June 30th. 

For More Information: Artsource Loft

On site: “New Works”, Photographs by Diane Levell, Red Filter Gallery

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on May 2, 2018 at 10:43 am

Wickecheoke Creek 01 by Diane Levell

WICKECHEOKE CREEK 01, Diane Levell

Diane Levell has been creating wonderful images for decades. Using straight technique or alternative print processes, she has always kept the image itself in the forefront for viewer contemplation.

In my work I have consistently striven for a high level of craftsmanship and aesthetic quality. And I wanted to use the photographic medium to its fullest extent; “straight” black and white, color and the historic techniques of the pictorial school.

Now through May 31.

To view the exhibition: Red Filter Gallery

On Site: “Jersey Shore In The Snow” Photographs by Kathleen Nademus, Red Filter Galllery

In Black and White Photography, Exhibits, Gallery, Photo Print Collector on April 2, 2018 at 10:18 am

Looking Down by Kathleen Nademus

Looking Down, Kathleen Nademus

We all know the beauty of a snow covered landscape but capturing it on film is a wonderful challenge that Kathleen Nademus takes up with great enthusiasm.

This white magical scene creates a peacefulness, a quietness as no other season does. It is extremely beautiful. Shadows dance on the white blanket left behind. The landscape softens in a snowstorm becoming ethereal. This gift is only with us for a short time. So my hope is for people to stop and look at my images with a bit of wonder and amazement.

Now through April 30th

To view the exhibition: Red Filter Gallery

“Invisible In Passing”, Photographs by Liam Sharp, Red Filter Gallery

In Black and White Photography, Gallery, Photo Print Collector, Photographer on February 1, 2018 at 11:37 am

Brighton Resident by Liam Sharp

Brighton Resident, Liam Sharp

Street photography requires an acquired skill and a refined approach in order to capture those real life moments with impact. Liam Sharp accomplishes this result with finesse.

The image I see when approaching is gone as soon as the subject becomes aware that they are being photographed.
What I am trying to do in this series of street images, taken in New York, is to try to capture what I actually see and feel when I encounter my subjects on the street. I cut a hole in the side of a cell phone case, where I insert my DXO camera and  walk the streets at a fast pace. I decide what I am going to photograph from a distance. As I pass the scene, without framing the shot, I try to capture what I have seen from a distance.

Now through February 28.

To view the exhibition: Liam Sharp

Notable: “Reality-Deconstructed”, Michael Benari at Leica Gallery, Boston

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on December 22, 2017 at 4:43 pm

MICHAEL_BENARI-Web

Guggenheim Museum Bilbao 2014 © MICHAEL BENARI

Our friend Michael Benari has a new exhibition to kick off the new year.

Benari uses the urban landscape to create his own visual language, and in the process, make work not familiar or necessarily embraced. He aims to use visual elements in ways that surprise, and at times, provoke, so as to invite the viewer into new emotional realms. His work seeks not to make you happy or sad, but rather to question what we assume to know. His use of abstraction further challenges our understanding of what defines photography today.

RECEPTION: January 18, 2018, 6 – 9pm RSVP

ARTIST TALK: Thursday, February 1st 2018,  5pm – 7pm

Exhibition: January 04 – February 25, 2018

For more information: Leica Gallery

 

On site: "Urban Night", Photographs by Allen Shifrin, Red Filter Gallery

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on November 1, 2017 at 7:05 am

Conservatory by Allen Shifrin

Conservatory, Allen Shifrin

Black and White photography highlights a dramatic scene through the balance of light and shadow. Surround the same scene in the dark veil of night and the drama is further heightened.

This series of photographs reflects my interest in landscape photography, with an emphasis on the urban landscape.  The subject matter is the scene that unfolds at night, where composition is informed as much by shadow as by artifact.

November 1 through November 30

To view the exhibition: Allen Shifrin

On site: "Meet Me In My Dreams", Photography by Mary Anne Mitchell, Red Filter Gallery

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on October 1, 2017 at 8:00 am

Rorschach Girls by Mary Anne Mitchell

Rorchach Girls, Mary Anne Mitchell

Inspired by poetry, the images in this exhibition draw the viewer in to another world experience.

This series is inspired by my poem ‘Meet Me in My Dreams”.  The images are created using wet plate collodion. I scan and enlarge them to enhance the organic qualities of the medium. The work speaks to family, memory, and the ethereal passage of time.

The setting for many of the images is a fairytale landscape. My use of the young people celebrates the  universal feeling of limitless potential that most people experience in their youth.The ghostlike figures are reflections of the later years when beauty and youth begin to fade.  They suggest the feeling that one is beginning to disappear and yet still present and interacting in the scene.

Now through October 31.

To view the exhibition: Mary Anne Mitchell

Notoable: The Ansel Adams Gallery Announces New Photo Rating and Condition System

In Black and White Photography, Photo Print Collector on September 8, 2017 at 11:00 am

When it comes to classic landscape photography, the list of recommended photographers almost always begins with Ansel Adams. As a member of Group f/64, Adams’ photos of the Pacific Northwest set the standard for striking and ethereal black & white imagery. Consequently, Adams’ photos have made themselves a part of several photography collections throughout the world. Now, the Ansel Adams Gallery has announced its own rating system for grading photographs by the deceased master.

Condition is always difficult to assess and somewhat subjective. Our rating system is an effort to make a meaningful distinction between the found condition of photographs that are, in 2017, between 35 and 85 years old. There are no standards in the industry or bright lines between ratings. Each rating can contain a range of conditions and items, and those ranges get progressively wider as conditions deteriorate. We attempt to be detailed, clear, and consistent in our assessment of the condition of photographs, but cannot guarantee that sharper eyes will not find things we miss. Our condition reports note EVERYTHING we see under a VERY rigorous examination by TRAINED experts, and we are known among our peers to be excessively detailed. These reports, on the face of it, can be disconcerting, even when the condition is rated as “Excellent”. Our rating depends on how visible damage is. Therefore it is possible that a number of items that are barely visible in glaring light can look more severe on a written condition report than would a single issue visible 3 feet away, whereas in person, the viewer might not even note the multiple items. Also, some types of surface damage could only or are most likely to have happened, intentionally or otherwise, in the artist’s studio. A small wrinkle in the emulsion layer, or etching a dark spot in a light sky are two examples. When this occurs we note it, but if it was acceptable to Ansel to release, we do not degrade the condition rating based on that. Our stance is that if it was good enough for him, who are we to negatively judge the condition.

Many issues noted here can be effectively treated with proper and qualified conservation. The cost of such treatments are generally not insignificant, and can take a considerable amount of time due to multiple passes or subsequent steps. Conservation work or evidence thereof is not a negative factor in assessing the condition or value of a print. We evaluate the current condition, not what it may have been or what it may become.

If you’re a serious collector of Adams photography, the gallery’s system is something that will seriously considered down the road. It will help guide through the print condition ratings and the quality of the layers, and also serve to educate on commonly used condition terms.

The ratings system can be found here: Ansel Adams Gallery

 

On Site: “Consequences”, Photographs by Oliver Klink, Red Filter Gallery

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on September 1, 2017 at 8:00 am

013 Ancient Farming by Oliver Klink

Ancient Farming, Oliver Klink

One of our outstanding up and coming fine art photographers is West Coast resident Oliver Klink.

Oliver’s work has been published with National Geographic, Days of Japan, Black & White magazine, Popular Photography magazine, among others. In 2016, he was selected as Critical Mass Top 50 fine art photographer, “Best of the best” emerging fine art photographer by BWgallerist, and received People’s Choice award from Black and White Magazine single image contest. In 2014, his image “Herding Instinct” won the grand prize at the Rayko International Photo contest. Oliver is a master of the new digital printing process called Piezography. Originally from Switzerland, Oliver currently resides in Los Gatos, California with his wife.

“Consequences” addresses the current threats to natural and cultural diversity, sites where modernity, tradition, and wild lands collide. It is an elegy for what is vanishing and a celebration of those cultures resilient enough to maintain their vibrancy. As we drift toward a blandly amorphous, generic world, as cultures disappear and life becomes more uniform, we as a people and a species, and Earth itself, are deeply impoverished. The images take the viewer on a roller coaster ride of aesthetic of disappearance, with hope that the fading traditions are not permanent and irreversible.

Now through September 30.

To view the exhibition: Oliver Klink