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Posts Tagged ‘Black and White Photography’

"Dunescapes", Photographs by Matthew McIver, Red Filter Gallery

In Black and White Photography, Exhibits, Gallerist, Photo Print Collector, Photographer on July 31, 2017 at 12:10 pm

Dunescape 04 by Matthew McIver

Dunescape 4, Matthew McIver

Dunescapes have a proud tradition in fine art photography. The beauty of a Weston print meanders through time to the inspired work of Matthew McIver.

You find silence in a desert. You find conversation in a crowd. A gathering is a place for distraction. A desert is a place without expectations.

Now through August 31.

To view the exhibition: Red Filter Gallery

On site: "Jerusalem and Aida: Close Yet Far Apart", Photographs of Michael Marks, Red Filter Gallery

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on July 1, 2017 at 8:23 am

Father,Aida by Michael Marks

Father, Aida, Michael Marks

On a visual journey through the ancient lands of Israel, Michael Marks captures the timeless personalities of the the current residents.

During several visits to Israel and the West Bank I endeavored to capture some of the differences in these two places, as well as the ironies that are seen in daily life.

Now, through July 31

To view the Exhibition: Michael Marks

Preview: Manhattan Sunday, Richard Renaldi, Aperture Bookstore, NYC, NY

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on June 14, 2017 at 11:00 am
Richard-Renaldi

5:14, Richard Renaldi

New York has been paid homage in a thousand and one forms, but pictures have always shown its truth. Richard Renaldi Manhattan Sunday is the latest example.

Featuring photographs taken in Manhattan between midnight on Saturday and noon on Sunday, Manhattan Sunday is an homage to New York’s nightlife and a celebration of New York as palimpsest onto which millions of people project their ideal and imaginary lives. Richard Renaldi’s visual observations are rooted in the home he found himself, in “the mystery and abandonment of the club, the nightscape, and then finally daybreak, each offering a transformation of Manhattan from the known world into a dreamscape of characters acting out their fantasies on a grand stage.”

Richard Renaldi (born in Chicago, 1968) graduated from New York University with a BFA in photography in 1990. Manhattan Sunday (Aperture, 2016) is the fourth body of Renaldi’s work published in book form, following Figure and Ground (Aperture, 2006), Fall River Boys (2009), and Touching Strangers (Aperture, 2014). In 2015, he was named a John Simon Guggenheim Memorial Foundation Fellow in Photography.

The gallery by the Aperture Foundation will be on exhibit at the Aperture bookstore on Friday. Opening reception will run from 6 to 8pm. For those who can’t make the reception, Renaldi’s photographs will be on view until July 27th.

For More Information: Aperture

On Site: "Otherwhere", Photographs by Claire Seidl, RED Filter Gallery

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on June 1, 2017 at 9:42 am

Peter, Sideways by Claire Seidl

Peter, Sideways, Claire Seidl

Our friend Claire Seidl has a new exhibition online at RED Filter Gallery. Her artistic approach is captured below, but it is the mystery of her work that captures the viewer’s attention and imagination.

I shoot long exposures, ranging in time from a few minutes to several hours.  Being very conscious that I cannot see in the dark or hold an image in my mind’s eye once I change my focus or move my head, I rely on the camera’s greater abilities. I use film and develop and print in my darkroom. Because I am also a painter, darkroom work seems like printmaking or drawing to me.

Now through June 30.

To view the exhibition: RED Filter Gallery

"A PARALLEL JOURNEY", Photographs by Christopher Kennedy, Red Filter Gallery

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on May 1, 2017 at 6:43 am

Surf's Up by Christopher Kennedy

Surfs Up, Christopher Kennedy

Christopher Kennedy has followed a winding creative path to his destination in Photo Luminism. Here is a sampling from that journey of image making. It is exciting work by a talented artist.

Whether capturing a traditional subject that can be viewed by anyone or using my camera as brush and canvas to create a vision the human eye cannot see, the passion … is all consuming.

May 1 through May 31

To view the exhibition: Red Filter Gallery

Preview: Attractions Nocturnes | Bella Rose, Nicolas Auvray, Hotel Saint-Simon, Angouleme, France

In Black and White Photography, Exhibits, Photo Print Collector, Photographer on April 11, 2017 at 10:20 pm

Look up to sky

We always love to hear from our francophone ami and wonderfully talented Nicolas Auvray. This time, he’s got a great opportunity for photography fans with his exhibition in Angoulême, France at the gorgeous Hotel Saint-Simone.

 Attractions Nocturnes » presents a series of night photographs.  It begins as a night walk through the cities at night. Familiar places are re-discovered, figures appear and disappear in a darkness where metamorphosis and transitions take place. In these images, the city is a metaphor. Paris, Stockholm, New York…no importance… what matters is the universality of the impressions. Spectators are invited to explore other worlds and be transported in dreamlike scenes to follow their aspirations, and maybe deeper, darker passions and to look further in their identity.

For anyone living or travelling to France this month, the exhibit is sure to please.

For More Information: Nicolas Auvray

On site: "Structured Moments, 1976 – 2012", Photographs by Susan May Tell, Red Filter Gallery

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on April 1, 2017 at 7:52 am

Appalacian Mist by Susan May Tell

Appalachian Mist, Susan May Tell

Susan May Tell brings the viewer with intelligent grace into an observed event with the intention of engagement and thoughtful meditation.

A quiet, intuitive photographer, her photographic process is to walk around, alone, led by her camera lens and instincts. Shooting film without a motor drive, as she does, slows down the process and allows her, and us, to suspend disbelief and operate on faith.

Now through April 30

To view the exhibition: Red Filter Gallery

On site: “The Photography Show”, AIPAD 2017, Pier 94 New York City, MARCH 30 – APRIL 2, 2017

In Art Fair, Exhibits, Gallerist, Gallery, Photo Print Collector, Photographer on March 30, 2017 at 7:22 am

Jeff Chien-Hsing Liao_Crowd Tao yuan 2016 Lantern festival Archival Pigment print 20x48 inch

Jeff Chien-Hsing Liao, Crowd, Tao yuan, Lantern festival, 2016

aipad_brandmark_BW copy

The Annual gathering of AIPAD photography galleries and dealers has found a new home and it is a knockout.

Situated at Pier 94 on the West Side of NYC at the Hudson River and 54th street, the new venue affords much more light and space than the previous location at the Park Avenue Armory.

With heavy international dealer representation as well as galleries from around North America, the expanded show over the next few days is a collector’s dream.

Vintage and contemporary works truly dazzle and at times overwhelm the viewer with photographic excellence. (Read more below)

Read the rest of this entry »

Preview: Littoral Drift, Meghann Riepenhoff, Yossi Milo Gallery, NYC, NY

In Black and White Photography, Exhibits, Gallerist, Gallery, Photo Print Collector, Photographer on March 22, 2017 at 11:18 pm

Image via Yossi Milo Gallery

Far too often people limit their imaginations to what is conventional.That’s why the art world is so wonderful – thinking about new ways to solve and create is expected. Cyanotypes are a perfect example in photography. Historically used for low cost blueprints for engineers, the experiments of photographer Meghann Riepenhoff are anything but the norm.

 

Works from Riepenhoff’s series, Littoral Drift (2013–ongoing), are large-scale dynamic cyanotypes made in collaboration with the landscape. Rather than photographing a scene with film and camera, the artist takes direct imprints from nature. After coating sheets of paper with homemade cyanotype emulsion, she exposes them to the elements, partially submerging them in ocean waves, draping them over a tree branch during a rainstorm or burying them in snow pack. Water, sunlight and sediments, such as sand, salt, detritus and impurities, activate the photosensitive chemicals to create fluid, painterly abstractions of the landscape in Prussian blue or white. The prints’ titles indicate the location, date and conditions under which they were made, anchoring each in a specific moment in time and underscoring the performative aspect of the series.

Riepenhoff only partially fixes her cyanotypes, leaving residual photosensitive chemistry to react to light and the environment. A print’s colors may fluctuate in intensity or salt crystals may bloom on the surface of the paper, subtly changing the artwork over time. The shifting qualities of these “living” prints are both a desirable aesthetic outcome and reflect themes of impermanence, time and mutability that are consistent throughout Riepenhoff’s work.

Meghann Riepenhoff’s work has been presented in exhibitions at the High Museum of Art, Atlanta, GA; Worcester Art Museum, Worcester, MA; Memphis College of Art, Memphis, TN; University of Missouri, Columbia, MO; San Francisco Camerawork, San Francisco, CA; Museo de la Ciudad, Queretaro, Mexico; Photo Center Northwest, Seattle, WA; Aperture Foundation, New York, NY; and Houston Center for Photography, Houston, TX, among others. Riepenhoff earned her BFA in Photography from the University of Georgia, Athens, and her MFA from the San Francisco Art Institute. The artist was born in 1979 in Atlanta, GA, and currently divides her time between Bainbridge Island, WA, and San Francisco, CA.

Littoral Drift is now open for view until April 29, 2017.

For More Information: Yossi Milo Gallery

Notable: Oliver Klink Featured on FeatureShoot

In Black and White Photography, Exhibits, Photo Print Collector, Photographer on March 15, 2017 at 4:22 pm
Image by Oliver Klink

Image by Oliver Klink

Our friend Oliver Klink has been traveling the world and photographing its people and nuances. The results are some stunning travel photographs.

Oliver’s work has been published with National Geographic, Days of Japan, Black & White magazine, Popular Photography magazine, among others. In 2016, he was selected as Critical Mass Top 50 fine art photographer, “Best of the best” emerging fine art photographer by BWGallerist, and received People’s Choice award from Black and White Magazine single image contest. In 2014, his image “Herding Instinct” won the grand prize at the Rayko International Photo contest. In 2013, “The Great Migration” was selected as the Grand Prize winner at the 30th anniversary Spring Show Exhibit at the PhotoCentral Gallery in Hayward, CA. Other awards have included the Mike Ivanitsky award for photographic excellence (2009) and nominations at the prestigious Black & White Spider Award (2010-2016).

Recently, Klink’s work was covered by Eva Clifford of FeatureShoot.com. The article highlights how Klink has been able to preserve aspects of culture in photographs before they disappear altogether. Here’s an excerpt from the article:

By spending time with the local people, Klink was able to discover places which still manage to hold onto their traditions, and are, as of yet, unchanged. Yet, even in these remote regions, he still witnessed how modernization was beginning to seep in, bringing with it new technology and Western clothing. Although the influx of new technology does bring with it practical convenience, Klink found the elderly (especially) were reluctant to part with their traditional items, but were soon forced to let go. And early on, while people did not believe in devices such as mobile phones, Klink points out that they have now incorporated them into their daily lives in order to keep track of time and communicate with family members, who have moved to urban areas. “Living quarters are the biggest challenge,” says Klink, as “apartment buildings are growing like mushrooms to lure locals to have a better life.”

Check our FeatureShoot’s article and then keep an eye out for Klink in exhibitions this year. Most recently an exhibit concluded on February 23rd at the Pacific Art League in Palo Alto, CA.

For More Information: Oliver Klink