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Posts Tagged ‘Black and White Photography’

On site: "Structured Moments, 1976 – 2012", Photographs by Susan May Tell, Red Filter Gallery

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on April 1, 2017 at 7:52 am

Appalacian Mist by Susan May Tell

Appalachian Mist, Susan May Tell

Susan May Tell brings the viewer with intelligent grace into an observed event with the intention of engagement and thoughtful meditation.

A quiet, intuitive photographer, her photographic process is to walk around, alone, led by her camera lens and instincts. Shooting film without a motor drive, as she does, slows down the process and allows her, and us, to suspend disbelief and operate on faith.

Now through April 30

To view the exhibition: Red Filter Gallery

On site: “The Photography Show”, AIPAD 2017, Pier 94 New York City, MARCH 30 – APRIL 2, 2017

In Art Fair, Exhibits, Gallerist, Gallery, Photo Print Collector, Photographer on March 30, 2017 at 7:22 am

Jeff Chien-Hsing Liao_Crowd Tao yuan 2016 Lantern festival Archival Pigment print 20x48 inch

Jeff Chien-Hsing Liao, Crowd, Tao yuan, Lantern festival, 2016

aipad_brandmark_BW copy

The Annual gathering of AIPAD photography galleries and dealers has found a new home and it is a knockout.

Situated at Pier 94 on the West Side of NYC at the Hudson River and 54th street, the new venue affords much more light and space than the previous location at the Park Avenue Armory.

With heavy international dealer representation as well as galleries from around North America, the expanded show over the next few days is a collector’s dream.

Vintage and contemporary works truly dazzle and at times overwhelm the viewer with photographic excellence. (Read more below)

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Preview: Littoral Drift, Meghann Riepenhoff, Yossi Milo Gallery, NYC, NY

In Black and White Photography, Exhibits, Gallerist, Gallery, Photo Print Collector, Photographer on March 22, 2017 at 11:18 pm

Image via Yossi Milo Gallery

Far too often people limit their imaginations to what is conventional.That’s why the art world is so wonderful – thinking about new ways to solve and create is expected. Cyanotypes are a perfect example in photography. Historically used for low cost blueprints for engineers, the experiments of photographer Meghann Riepenhoff are anything but the norm.

 

Works from Riepenhoff’s series, Littoral Drift (2013–ongoing), are large-scale dynamic cyanotypes made in collaboration with the landscape. Rather than photographing a scene with film and camera, the artist takes direct imprints from nature. After coating sheets of paper with homemade cyanotype emulsion, she exposes them to the elements, partially submerging them in ocean waves, draping them over a tree branch during a rainstorm or burying them in snow pack. Water, sunlight and sediments, such as sand, salt, detritus and impurities, activate the photosensitive chemicals to create fluid, painterly abstractions of the landscape in Prussian blue or white. The prints’ titles indicate the location, date and conditions under which they were made, anchoring each in a specific moment in time and underscoring the performative aspect of the series.

Riepenhoff only partially fixes her cyanotypes, leaving residual photosensitive chemistry to react to light and the environment. A print’s colors may fluctuate in intensity or salt crystals may bloom on the surface of the paper, subtly changing the artwork over time. The shifting qualities of these “living” prints are both a desirable aesthetic outcome and reflect themes of impermanence, time and mutability that are consistent throughout Riepenhoff’s work.

Meghann Riepenhoff’s work has been presented in exhibitions at the High Museum of Art, Atlanta, GA; Worcester Art Museum, Worcester, MA; Memphis College of Art, Memphis, TN; University of Missouri, Columbia, MO; San Francisco Camerawork, San Francisco, CA; Museo de la Ciudad, Queretaro, Mexico; Photo Center Northwest, Seattle, WA; Aperture Foundation, New York, NY; and Houston Center for Photography, Houston, TX, among others. Riepenhoff earned her BFA in Photography from the University of Georgia, Athens, and her MFA from the San Francisco Art Institute. The artist was born in 1979 in Atlanta, GA, and currently divides her time between Bainbridge Island, WA, and San Francisco, CA.

Littoral Drift is now open for view until April 29, 2017.

For More Information: Yossi Milo Gallery

Notable: Oliver Klink Featured on FeatureShoot

In Black and White Photography, Exhibits, Photo Print Collector, Photographer on March 15, 2017 at 4:22 pm
Image by Oliver Klink

Image by Oliver Klink

Our friend Oliver Klink has been traveling the world and photographing its people and nuances. The results are some stunning travel photographs.

Oliver’s work has been published with National Geographic, Days of Japan, Black & White magazine, Popular Photography magazine, among others. In 2016, he was selected as Critical Mass Top 50 fine art photographer, “Best of the best” emerging fine art photographer by BWGallerist, and received People’s Choice award from Black and White Magazine single image contest. In 2014, his image “Herding Instinct” won the grand prize at the Rayko International Photo contest. In 2013, “The Great Migration” was selected as the Grand Prize winner at the 30th anniversary Spring Show Exhibit at the PhotoCentral Gallery in Hayward, CA. Other awards have included the Mike Ivanitsky award for photographic excellence (2009) and nominations at the prestigious Black & White Spider Award (2010-2016).

Recently, Klink’s work was covered by Eva Clifford of FeatureShoot.com. The article highlights how Klink has been able to preserve aspects of culture in photographs before they disappear altogether. Here’s an excerpt from the article:

By spending time with the local people, Klink was able to discover places which still manage to hold onto their traditions, and are, as of yet, unchanged. Yet, even in these remote regions, he still witnessed how modernization was beginning to seep in, bringing with it new technology and Western clothing. Although the influx of new technology does bring with it practical convenience, Klink found the elderly (especially) were reluctant to part with their traditional items, but were soon forced to let go. And early on, while people did not believe in devices such as mobile phones, Klink points out that they have now incorporated them into their daily lives in order to keep track of time and communicate with family members, who have moved to urban areas. “Living quarters are the biggest challenge,” says Klink, as “apartment buildings are growing like mushrooms to lure locals to have a better life.”

Check our FeatureShoot’s article and then keep an eye out for Klink in exhibitions this year. Most recently an exhibit concluded on February 23rd at the Pacific Art League in Palo Alto, CA.

For More Information: Oliver Klink

Notable: “Grey”, New Book by Michael Benari

In Books, Photo Print Collector, Photographer on March 2, 2017 at 11:00 am

Michael-Benari-Grey

Fans of our friend Michael Benari are sure to be looking forward to March this year, as Benari will be releasing a new book, titled Grey.Many of the images in this book fall into the genre of “street photography”.

Many of the images in this book fall into the genre of “street photography”. I specifically use the street as a source of inspiration for discovering new ways of creating a visual experience. I think of the work as closely related to certain artistic traditions in painting and feel a close connection to everything abstract that has come before me. At the same time “GREY” is a collection of visual experiments, forcing me to push the limits of perception, and discover new ideas and new forms in the process. Our visual experience today is already saturated with so many accepted notions of beauty that looking to re-shape those assumptions becomes the real challenge for today’s artist. The “street” becomes a kind of outdoor laboratory in which I can still find the chance-encountered visual surprise that helps to re-orient my own perceptions and those in my work. Inasmuch as each image is its own resolution, the entire series of images reflects an on-going process of exploring an unknown terrain waiting to be discovered.

Also on the horizon will be a new show in Boston, MA, at 555 Gallery. Stay tuned for more details and images from the new book and exhibition.

For More Information: Michael Benari

On Site: “Conversations With Myself”, Photographs by Paula Gibson, Red Filter Gallery

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on March 1, 2017 at 1:02 am

alwaysgoesbacktothebeggining

Always Goes Back To the Beginning, Paula Gibson

London based Paula Gibson is somewhat of a mystery in her vision of a very personal world.

This selection of photographs considers reflections on love, what love feels like and the doubts that arise in the arms of second best.

To view the exhibition: Paula Gibson

Preview: Skēnē by Alex Majoli, & Wegee, Howard Greenberg Gallery, New York, NY

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on February 21, 2017 at 10:36 am
Alex-majoli-scene-6404

Scene #6404, Cairo, Egypt, Celebrating Mubarak’s resignation in Tahir Square, February 11, 2001, Alex Majoli

Howard Greenberg Gallery is bracing against the February cold with a pair of exciting exhibitions, featured the beloved Weegee (Arthur Fellig) and Alex Majoli.

Alex Majoli:

Alex Majoli (b. Ravenna, Italy, 1971) attended the Art Institute in Ravenna, and while at school traveled to Yugoslavia a number of times to document political conflicts. He graduated in 1991. Three years later, his career began after he photographed the closing of a notorious asylum on the island of Leros in Greece, which resulted in his first monograph entitled Leros. In 1995, Majoli went to South America for several months, photographing a variety of subjects for his ongoing series on Brazil, Tudo Bom. He began the series Hotel Marinum in 1998 documenting life in harbor cities around the world. Also that year, he began making a series of short films and documentaries.

Alex Majoli documents the thin line between reality and theatre in a series of photographs, which will be on view from February 16 – April 1, 2017 at Howard Greenberg Gallery. The photographs, made in Congo, Egypt, Greece, Germany, India, China, and Brazil between 2010 and 2016, explore the human condition and call into question darker elements of society. The title of the exhibition, SKĒNĒ, refers to a structure forming the backdrop of an ancient Greek theatre. Majoli is a 2016 Guggenheim Fellowship recipient, and the show is his first gallery exhibition in New York City. An opening reception will be held on Thursday, February 16 from 6-8 p.m.

Weegee:

As a photographer and photojournalist, Arthur Fellig (Weegee) was in his own words “spellbound by the mystery of murder.” His uncanny ability to make early appearances at scenes of violence and catastrophe earned him the name Weegee (appropriated from the Ouija board). His film noir style and dry wit combined with his sensational images of the naked city, often taken at night with a strong flash, have earned him a reputation as one of the greatest street photographers of the 20th century.

Among the highlights in the exhibition will be a 1936 self portrait of Weegee getting his own mug shot at a police station. A series of portraits of people looking up in the sky from 1945 depicts children, a police officer, a man with a telescope, and a nun all watching a fire. A 1943 image entitled The Critic, depicts a disdainful onlooker checking out two ornately dressed women on their way to the opera. A touching photograph from c. 1944 shows two animal caretakers sleeping next to a pen with two giraffes at Madison Square Garden.

Both exhibitions are now open and will conclude on the most foolish of days, April 1st.

For More Information: Howard Greenberg Gallery

Preview: Daily Self-Portraits, Melissa Shook, Joseph Bellows Gallery, La Jolla, CA

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on February 15, 2017 at 11:49 pm

Melissa Shook

The idea of taking a photo of yourself each day is now commonplace. Many people do it anyway without thinking, due to the advent of smartphone cameras. But how long could you keep it up? Two months? Six? A year? How about 45 years? Then you’d be in Melissa Shook’s territory.

In 1972, curious about the problem of identity, Shook began an ambitious project of photographing herself everyday for a year. The sum of this impressive undertaking resulted in a compelling set of intimately scaled black and white photographs that range from the artist performing for the camera, to the camera describing the physicality of her being. These early influential photographs will be complimented with a selection of recent daily photographs from 2014-15 that combine individual text entries with a self-portrait image; both text and image act as a diary, reflecting upon the complexities of the human condition. Along with her daily portraits, the gallery will be exhibiting a collection of her extended portraits of her daughter Krissy in her teen years, and a compilation of her video pieces. The exhibition in its entirety explores notions of change and aging, as well as photography’s ability to form an extended document to reveal these qualities.

A photographer, video artist, and writer, Melissa Shook has taught photography at the Creative Photography Lab, at MIT and at the University of Massachusetts, Boston. Shook’s photographs have been exhibited in numerous solo and prestigious group exhibitions, including: Pictures by Women: A History of Modern Photography (MOMA 2010) and Photography in Boston 1955-1985 (Decordova Museum). Among her awards are a National Endowment for the Arts Visual Fellowship, an Arts in Action Grant and a Polaroid Foundation Grant.

The exhibit will open February 18 with an opening reception with the artist from 6-8pm. It will be on display until March 31st.

For More Information: Joesph Bellows

On Site: “Above a Black Sea”, Photographs by Richard Sherman, Red Filter Gallery

In Black and White Photography, Exhibits, Gallerist, Gallery, Photo Print Collector, Photographer on February 1, 2017 at 12:19 am

Acceleration by Richard Sherman

Acceleration, Richard Sherman

Richard Sherman returns to Red Filter Gallery with a mix of water inspired work in a new exhibition:  “Above a Black Sea”. Richard shows a consistent eye to not only the whole image but details within the frame. The viewer is rewarded by the “whole” image, with additional benefits derived from focus on the image segments.

Over the last few years, I have spent a lot of time chasing boats. From tugboats to sailboats, from container ships to fishing trawlers, from Naval vessels to crab boats: they all hold a mystical attraction. As a photographer, I am drawn to the textures and geometries of boats: the sail triangles, the arcs of mooring lines, the parallelograms made by wire and shadows.

To view the exhibition: Red Filter Gallery

Preview: Route 66 Motels, John Schott, Joseph Bellows Gallery, La Jolla, CA

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on January 19, 2017 at 10:56 am

Ringing in the new year, Joseph Bellows Gallery has decided to start things with pure Americana, brought to you through the eyes of photographer John Schott.

In the summer of 1973, John Schott drove Route 66 from the Midwest to California and back, sleeping in his pick-up truck and photographing with an 8 x 10 inch Deardorf view camera. Among his subjects were the motels situated along this expanse of highway.

Route 66 Motels will present a key set of vintage prints that formed Schott’s series of topographic views of these small motels that punctuate this highway landscape, both in daylight and under the glow of artificial illumination. In this collection of vernacular forms, Schott describes a particular architectural structure, within a specific era, while subtly reminding his viewers that the road and its adjacent dwellings are part of what defines the landscape.

In 1975 he received an Individual Artist’s Fellowship in Photography from the National Endowment for the Arts. That same year he was included in William Jenkins’ seminal exhibition at the George Eastman House, New Topographics: Photographs of a Man-altered Landscape. In 2009 a reexamination of this exhibition organized Britt Salvesen toured to numerous museum venues including: the Center for Creative Photography, Los Angeles County Museum of Art, Jeu de Paume, Paris and Bilbao Fine Arts Museum, Bilbao.

 

For More Information: Joseph Bellows Gallery