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Posts Tagged ‘exhibit’

On Site: “Alchemy”, Photographs by Bronwen Hazlett, Red Filter Gallery

In Black and White Photography, Exhibits, Gallery, Photo Print Collector on June 1, 2018 at 2:54 pm

Drained by Bronwen Hazlett

Drained, Bronwen Hazlett

Using an alternative printing process, Bronwen Hazlett brings a mystic touch to abstract photographic scenes …

During the process of painting chemistry and exposing imagery, I push emotions and reality into something indiscernible but felt.   I coerce chemical reactions like my own reactions to hopes colliding with reality.

Now through June 30.

To view the exhibition: Red Filter Gallery

Preview: Photograms | Literary, Wendy Paton, Artsource Loft, NYC

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on May 14, 2018 at 10:43 am

#46 Photograms  Literary©Wendy Paton

One of the great beauties of photography is the unique perspective photographers can create within this flexible medium. Such is the case with Wendy Paton’s latest exhibition at Artsource International at the Artsource Loft in New York City where Paton’s works, are curated as “Photograms | Literary”. The collection takes special advantage of the visual architectural elements of books, and are presented in an almost ethereal light. These Black and White visual constructs are indeed unique.

The exhibition features an extensive selection of Paton’s series of dynamic, gelatin silver Photograms using the literary and artistic world of books as her subject.
Utilizing the age-old photographic process also known as camera-less photography, the artist has created a visual language that metamorphose a literal and literary object, the book, into an interpretation of artistic abstraction. Paton boldly emphasizes the contrast of the printed word on paper and the fast conquering digital form, rapidly changing both the literary and photographic mediums. “As printed books are fading from our lives, being replaced by the digital medium, so is the gelatin silver photograph being replaced by our mobile phones and digital photographic technology.”

#54 Photograms Literary©Wendy Paton

Paton’s new book “Photograms l Literary, FLIGHT”, a limited edition, signed and numbered artist book (pub. Brilliant – Press, USA) will be introduced at the opening with the artist in attendance.

Wendy Paton is an award winning American photographer best known for her dramatic black & white, candid, nocturnal portraits, first seen in her series and monograph, Visages de Nuit. Paton’s work, including selections of Photograms l Literary, has been exhibited in solo U.S. and international gallery and museum exhibitions. Her photographs are included in the the permanent collections of the Bibliotheque Nationale de France – Spallart Collection, Austria – Musee de la Photographie, Belgium – James A. Michener Art Museum, U.S. – International Center of Photography, NY,U.S. – Lumiere Brothers Center of Photography, Moscow – Personal Collection of Prince Albert II of Monaco, and many notable private collections.

The exhibit will be opening May 17th and concluding on June 30th. 

For More Information: Artsource Loft

On site: “New Works”, Photographs by Diane Levell, Red Filter Gallery

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on May 2, 2018 at 10:43 am

Wickecheoke Creek 01 by Diane Levell

WICKECHEOKE CREEK 01, Diane Levell

Diane Levell has been creating wonderful images for decades. Using straight technique or alternative print processes, she has always kept the image itself in the forefront for viewer contemplation.

In my work I have consistently striven for a high level of craftsmanship and aesthetic quality. And I wanted to use the photographic medium to its fullest extent; “straight” black and white, color and the historic techniques of the pictorial school.

Now through May 31.

To view the exhibition: Red Filter Gallery

On Site: “Jersey Shore In The Snow” Photographs by Kathleen Nademus, Red Filter Galllery

In Black and White Photography, Exhibits, Gallery, Photo Print Collector on April 2, 2018 at 10:18 am

Looking Down by Kathleen Nademus

Looking Down, Kathleen Nademus

We all know the beauty of a snow covered landscape but capturing it on film is a wonderful challenge that Kathleen Nademus takes up with great enthusiasm.

This white magical scene creates a peacefulness, a quietness as no other season does. It is extremely beautiful. Shadows dance on the white blanket left behind. The landscape softens in a snowstorm becoming ethereal. This gift is only with us for a short time. So my hope is for people to stop and look at my images with a bit of wonder and amazement.

Now through April 30th

To view the exhibition: Red Filter Gallery

Notable: “Reality-Deconstructed”, Michael Benari at Leica Gallery, Boston

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on December 22, 2017 at 4:43 pm

MICHAEL_BENARI-Web

Guggenheim Museum Bilbao 2014 © MICHAEL BENARI

Our friend Michael Benari has a new exhibition to kick off the new year.

Benari uses the urban landscape to create his own visual language, and in the process, make work not familiar or necessarily embraced. He aims to use visual elements in ways that surprise, and at times, provoke, so as to invite the viewer into new emotional realms. His work seeks not to make you happy or sad, but rather to question what we assume to know. His use of abstraction further challenges our understanding of what defines photography today.

RECEPTION: January 18, 2018, 6 – 9pm RSVP

ARTIST TALK: Thursday, February 1st 2018,  5pm – 7pm

Exhibition: January 04 – February 25, 2018

For more information: Leica Gallery

 

Preview: Manhattan Sunday, Richard Renaldi, Aperture Bookstore, NYC, NY

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on June 14, 2017 at 11:00 am
Richard-Renaldi

5:14, Richard Renaldi

New York has been paid homage in a thousand and one forms, but pictures have always shown its truth. Richard Renaldi Manhattan Sunday is the latest example.

Featuring photographs taken in Manhattan between midnight on Saturday and noon on Sunday, Manhattan Sunday is an homage to New York’s nightlife and a celebration of New York as palimpsest onto which millions of people project their ideal and imaginary lives. Richard Renaldi’s visual observations are rooted in the home he found himself, in “the mystery and abandonment of the club, the nightscape, and then finally daybreak, each offering a transformation of Manhattan from the known world into a dreamscape of characters acting out their fantasies on a grand stage.”

Richard Renaldi (born in Chicago, 1968) graduated from New York University with a BFA in photography in 1990. Manhattan Sunday (Aperture, 2016) is the fourth body of Renaldi’s work published in book form, following Figure and Ground (Aperture, 2006), Fall River Boys (2009), and Touching Strangers (Aperture, 2014). In 2015, he was named a John Simon Guggenheim Memorial Foundation Fellow in Photography.

The gallery by the Aperture Foundation will be on exhibit at the Aperture bookstore on Friday. Opening reception will run from 6 to 8pm. For those who can’t make the reception, Renaldi’s photographs will be on view until July 27th.

For More Information: Aperture

Preview: Attractions Nocturnes | Bella Rose, Nicolas Auvray, Hotel Saint-Simon, Angouleme, France

In Black and White Photography, Exhibits, Photo Print Collector, Photographer on April 11, 2017 at 10:20 pm

Look up to sky

We always love to hear from our francophone ami and wonderfully talented Nicolas Auvray. This time, he’s got a great opportunity for photography fans with his exhibition in Angoulême, France at the gorgeous Hotel Saint-Simone.

 Attractions Nocturnes » presents a series of night photographs.  It begins as a night walk through the cities at night. Familiar places are re-discovered, figures appear and disappear in a darkness where metamorphosis and transitions take place. In these images, the city is a metaphor. Paris, Stockholm, New York…no importance… what matters is the universality of the impressions. Spectators are invited to explore other worlds and be transported in dreamlike scenes to follow their aspirations, and maybe deeper, darker passions and to look further in their identity.

For anyone living or travelling to France this month, the exhibit is sure to please.

For More Information: Nicolas Auvray

Preview: Littoral Drift, Meghann Riepenhoff, Yossi Milo Gallery, NYC, NY

In Black and White Photography, Exhibits, Gallerist, Gallery, Photo Print Collector, Photographer on March 22, 2017 at 11:18 pm

Image via Yossi Milo Gallery

Far too often people limit their imaginations to what is conventional.That’s why the art world is so wonderful – thinking about new ways to solve and create is expected. Cyanotypes are a perfect example in photography. Historically used for low cost blueprints for engineers, the experiments of photographer Meghann Riepenhoff are anything but the norm.

 

Works from Riepenhoff’s series, Littoral Drift (2013–ongoing), are large-scale dynamic cyanotypes made in collaboration with the landscape. Rather than photographing a scene with film and camera, the artist takes direct imprints from nature. After coating sheets of paper with homemade cyanotype emulsion, she exposes them to the elements, partially submerging them in ocean waves, draping them over a tree branch during a rainstorm or burying them in snow pack. Water, sunlight and sediments, such as sand, salt, detritus and impurities, activate the photosensitive chemicals to create fluid, painterly abstractions of the landscape in Prussian blue or white. The prints’ titles indicate the location, date and conditions under which they were made, anchoring each in a specific moment in time and underscoring the performative aspect of the series.

Riepenhoff only partially fixes her cyanotypes, leaving residual photosensitive chemistry to react to light and the environment. A print’s colors may fluctuate in intensity or salt crystals may bloom on the surface of the paper, subtly changing the artwork over time. The shifting qualities of these “living” prints are both a desirable aesthetic outcome and reflect themes of impermanence, time and mutability that are consistent throughout Riepenhoff’s work.

Meghann Riepenhoff’s work has been presented in exhibitions at the High Museum of Art, Atlanta, GA; Worcester Art Museum, Worcester, MA; Memphis College of Art, Memphis, TN; University of Missouri, Columbia, MO; San Francisco Camerawork, San Francisco, CA; Museo de la Ciudad, Queretaro, Mexico; Photo Center Northwest, Seattle, WA; Aperture Foundation, New York, NY; and Houston Center for Photography, Houston, TX, among others. Riepenhoff earned her BFA in Photography from the University of Georgia, Athens, and her MFA from the San Francisco Art Institute. The artist was born in 1979 in Atlanta, GA, and currently divides her time between Bainbridge Island, WA, and San Francisco, CA.

Littoral Drift is now open for view until April 29, 2017.

For More Information: Yossi Milo Gallery

Notable: Oliver Klink Featured on FeatureShoot

In Black and White Photography, Exhibits, Photo Print Collector, Photographer on March 15, 2017 at 4:22 pm
Image by Oliver Klink

Image by Oliver Klink

Our friend Oliver Klink has been traveling the world and photographing its people and nuances. The results are some stunning travel photographs.

Oliver’s work has been published with National Geographic, Days of Japan, Black & White magazine, Popular Photography magazine, among others. In 2016, he was selected as Critical Mass Top 50 fine art photographer, “Best of the best” emerging fine art photographer by BWGallerist, and received People’s Choice award from Black and White Magazine single image contest. In 2014, his image “Herding Instinct” won the grand prize at the Rayko International Photo contest. In 2013, “The Great Migration” was selected as the Grand Prize winner at the 30th anniversary Spring Show Exhibit at the PhotoCentral Gallery in Hayward, CA. Other awards have included the Mike Ivanitsky award for photographic excellence (2009) and nominations at the prestigious Black & White Spider Award (2010-2016).

Recently, Klink’s work was covered by Eva Clifford of FeatureShoot.com. The article highlights how Klink has been able to preserve aspects of culture in photographs before they disappear altogether. Here’s an excerpt from the article:

By spending time with the local people, Klink was able to discover places which still manage to hold onto their traditions, and are, as of yet, unchanged. Yet, even in these remote regions, he still witnessed how modernization was beginning to seep in, bringing with it new technology and Western clothing. Although the influx of new technology does bring with it practical convenience, Klink found the elderly (especially) were reluctant to part with their traditional items, but were soon forced to let go. And early on, while people did not believe in devices such as mobile phones, Klink points out that they have now incorporated them into their daily lives in order to keep track of time and communicate with family members, who have moved to urban areas. “Living quarters are the biggest challenge,” says Klink, as “apartment buildings are growing like mushrooms to lure locals to have a better life.”

Check our FeatureShoot’s article and then keep an eye out for Klink in exhibitions this year. Most recently an exhibit concluded on February 23rd at the Pacific Art League in Palo Alto, CA.

For More Information: Oliver Klink

Preview: Skēnē by Alex Majoli, & Wegee, Howard Greenberg Gallery, New York, NY

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on February 21, 2017 at 10:36 am
Alex-majoli-scene-6404

Scene #6404, Cairo, Egypt, Celebrating Mubarak’s resignation in Tahir Square, February 11, 2001, Alex Majoli

Howard Greenberg Gallery is bracing against the February cold with a pair of exciting exhibitions, featured the beloved Weegee (Arthur Fellig) and Alex Majoli.

Alex Majoli:

Alex Majoli (b. Ravenna, Italy, 1971) attended the Art Institute in Ravenna, and while at school traveled to Yugoslavia a number of times to document political conflicts. He graduated in 1991. Three years later, his career began after he photographed the closing of a notorious asylum on the island of Leros in Greece, which resulted in his first monograph entitled Leros. In 1995, Majoli went to South America for several months, photographing a variety of subjects for his ongoing series on Brazil, Tudo Bom. He began the series Hotel Marinum in 1998 documenting life in harbor cities around the world. Also that year, he began making a series of short films and documentaries.

Alex Majoli documents the thin line between reality and theatre in a series of photographs, which will be on view from February 16 – April 1, 2017 at Howard Greenberg Gallery. The photographs, made in Congo, Egypt, Greece, Germany, India, China, and Brazil between 2010 and 2016, explore the human condition and call into question darker elements of society. The title of the exhibition, SKĒNĒ, refers to a structure forming the backdrop of an ancient Greek theatre. Majoli is a 2016 Guggenheim Fellowship recipient, and the show is his first gallery exhibition in New York City. An opening reception will be held on Thursday, February 16 from 6-8 p.m.

Weegee:

As a photographer and photojournalist, Arthur Fellig (Weegee) was in his own words “spellbound by the mystery of murder.” His uncanny ability to make early appearances at scenes of violence and catastrophe earned him the name Weegee (appropriated from the Ouija board). His film noir style and dry wit combined with his sensational images of the naked city, often taken at night with a strong flash, have earned him a reputation as one of the greatest street photographers of the 20th century.

Among the highlights in the exhibition will be a 1936 self portrait of Weegee getting his own mug shot at a police station. A series of portraits of people looking up in the sky from 1945 depicts children, a police officer, a man with a telescope, and a nun all watching a fire. A 1943 image entitled The Critic, depicts a disdainful onlooker checking out two ornately dressed women on their way to the opera. A touching photograph from c. 1944 shows two animal caretakers sleeping next to a pen with two giraffes at Madison Square Garden.

Both exhibitions are now open and will conclude on the most foolish of days, April 1st.

For More Information: Howard Greenberg Gallery