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Posts Tagged ‘Joseph Bellows Gallery’

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Preview: Summer of Love, Elaine Mayes, Joseph Bellows Gallery, La Jolla, CA

In Exhibits, Gallery on May 31, 2017 at 11:30 am

Sage Sohier

 

 

For those with the keenest nostalgia for the late sixties, this 50th anniversary exhibition of photographs by Elaine Mayes is sure to be the ticket for hippies and photography buffs alike.

Elaine Mayes: Summer of Love coincides with the 50th anniversary of the summer of love; a period of great social, cultural, and political change that brought together over 100,000 like-minded young people to San Francisco to usher in a new era.

The exhibition will feature Mayes’ intimate vintage black and white portraits of youth counterculture in San Francisco’s Haight-Ashbury district during the late 1960’s. The photographs are compelling depictions that are at once specific to the individuals pictured, as well as definers of that age and era. They reveal a freedom of expression and camaraderie that was shared by a generation at odds with its current social ideals. Together with these images will be informal portraits of musicians and festivalgoers.

Mayes photographs from this series will also be on exhibit at the De Young Museum through August 20th, as part of their Summer of Love Experience: Art, Fashion, and Rock & Roll.

The exhibit opens June 10th and appropriately will be on display through the summer, until August 26th.

For More Information: Joseph Bellows Gallery

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Preview: Americans Unseen, Sage Sohier, Joseph Bellows Gallery, La Jolla, CA

In Gallery on April 24, 2017 at 4:09 pm

Sage Sohier

The works of Sage Sohier’s Americans Unseen, now viewable at Joseph Bellows Gallery, are an excellent portrait of American life between the 1970s and 1980s. Sohier manages to extract each individuals humanity in distinct expression.

Joseph Bellows Gallery will be exhibiting Sohier’s vintage gelatin silver prints from this series. Americans Seen will also be celebrated by a forthcoming monograph by Nazraeli Press.

Sohier has received fellowships from the No Strings Foundation, the John Simon Guggenheim Memorial Foundation, the National Endowment for the Arts, and the Massachusetts Artists Foundation.

Her work has been included in group shows at the Museum of Modern Art, the International Center for Photography, and the Art Institute of Chicago and is in the collections of the Museum of Modern Art, Museum of Fine Arts, Houston, San Francisco Museum of Modern Art, Cleveland Museum of Art, Nelson-Atkins Museum of Art, Portland Museum of Art and the Brooklyn Museum.

Now open, the exhibit will be available until May 31st.

For More Information: Joseph Bellows Gallery

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Preview: Daily Self-Portraits, Melissa Shook, Joseph Bellows Gallery, La Jolla, CA

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on February 15, 2017 at 11:49 pm

Melissa Shook

The idea of taking a photo of yourself each day is now commonplace. Many people do it anyway without thinking, due to the advent of smartphone cameras. But how long could you keep it up? Two months? Six? A year? How about 45 years? Then you’d be in Melissa Shook’s territory.

In 1972, curious about the problem of identity, Shook began an ambitious project of photographing herself everyday for a year. The sum of this impressive undertaking resulted in a compelling set of intimately scaled black and white photographs that range from the artist performing for the camera, to the camera describing the physicality of her being. These early influential photographs will be complimented with a selection of recent daily photographs from 2014-15 that combine individual text entries with a self-portrait image; both text and image act as a diary, reflecting upon the complexities of the human condition. Along with her daily portraits, the gallery will be exhibiting a collection of her extended portraits of her daughter Krissy in her teen years, and a compilation of her video pieces. The exhibition in its entirety explores notions of change and aging, as well as photography’s ability to form an extended document to reveal these qualities.

A photographer, video artist, and writer, Melissa Shook has taught photography at the Creative Photography Lab, at MIT and at the University of Massachusetts, Boston. Shook’s photographs have been exhibited in numerous solo and prestigious group exhibitions, including: Pictures by Women: A History of Modern Photography (MOMA 2010) and Photography in Boston 1955-1985 (Decordova Museum). Among her awards are a National Endowment for the Arts Visual Fellowship, an Arts in Action Grant and a Polaroid Foundation Grant.

The exhibit will open February 18 with an opening reception with the artist from 6-8pm. It will be on display until March 31st.

For More Information: Joesph Bellows

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Preview: Route 66 Motels, John Schott, Joseph Bellows Gallery, La Jolla, CA

In Black and White Photography, Exhibits, Gallery, Photo Print Collector, Photographer on January 19, 2017 at 10:56 am

Ringing in the new year, Joseph Bellows Gallery has decided to start things with pure Americana, brought to you through the eyes of photographer John Schott.

In the summer of 1973, John Schott drove Route 66 from the Midwest to California and back, sleeping in his pick-up truck and photographing with an 8 x 10 inch Deardorf view camera. Among his subjects were the motels situated along this expanse of highway.

Route 66 Motels will present a key set of vintage prints that formed Schott’s series of topographic views of these small motels that punctuate this highway landscape, both in daylight and under the glow of artificial illumination. In this collection of vernacular forms, Schott describes a particular architectural structure, within a specific era, while subtly reminding his viewers that the road and its adjacent dwellings are part of what defines the landscape.

In 1975 he received an Individual Artist’s Fellowship in Photography from the National Endowment for the Arts. That same year he was included in William Jenkins’ seminal exhibition at the George Eastman House, New Topographics: Photographs of a Man-altered Landscape. In 2009 a reexamination of this exhibition organized Britt Salvesen toured to numerous museum venues including: the Center for Creative Photography, Los Angeles County Museum of Art, Jeu de Paume, Paris and Bilbao Fine Arts Museum, Bilbao.

 

For More Information: Joseph Bellows Gallery

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Preview: The Teen Years, Joseph Bellows Gallery, La Jolla, CA

In Black and White Photography, Exhibits, Gallerist, Photo Print Collector on July 5, 2016 at 4:26 pm

Coney Island, 1963, by Edward Sturr

The years of being a teen are an often thrilling and torturous era in a person’s life. But what’s most interesting is that teens are often one of the best representations of a specified era. Joseph Bellows’ latest exhibition does well in exemplifying this.

The Teen Years will feature a selection of both vintage and contemporary photographs that address the physical, social, and emotional aspects of adolescence, and the formation of identity. The photographs included in the exhibition present a collective portrait of youth: its awkwardness, innocence, fury, elation, beauty and trepidation.

Photographs by Joseph Sterling, Edward Sturr, Enrico Natali, Elaine Mayes, Bevan Davies, Nacio Jan Brown, Melissa Shook, Harry Ibach, Duncan McCosker, Christine Osinski, Joan Albert, Sage Sohier, Mark Steinmetz, John Myers, Andrea Modica, Bill Yates, Roger Vail and others will be included.

Opening with a reception on July 9th, from 6-8pm, the public will be able to reflect upon their youth until August 26th, 2016.

For More Information: Joseph Bellows Gallery

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Preview: Gallery Selections, Joseph Bellows Gallery, La Jolla, CA

In Black and White Photography, Exhibits, Gallerist, Photo Print Collector, Photographer on May 26, 2016 at 10:44 am

YoYo, Roger Vail, 1996

To finish out the summer, Joseph Bellows Gallery is pulling from its collection to exhibit a sample of its eclectic combination of vintage and contemporary photography.

The exhibit will include Roger Vail, Amanda Means, Harry Callahan, J. John Priola and others.

Joseph Bellows Gallery was established in 1998. The Gallery features rotating exhibitions of both historic and contemporary works drawn from the gallery’s collection, with a special emphasis on American work. Joseph Bellows is a member of the Association of International Photography Art Dealers (AIPAD), and served on the Board of Directors from 2005 until 2012.

We are pleased to offer search and consultation services for beginning and established collectors, as well as to provide appraisal services.

Joseph Bellows Gallery actively seeks to purchase single photographs or entire collections. Please call or email the gallery to submit your information and a member of our staff will contact you shortly. In order to expedite the process, please provide as much information about the item(s) as possible. We are also happy to assist in making arrangements for gallery staff to view the items.

The exhibit is now open and will conclude June 25th ,2016.

For more Information: Joseph Bellows

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Preview: Floral Studies, Dr. Dain L. Tasker, Joseph Bellows Gallery, La Jolla, CA

In Black and White Photography, Exhibits, Gallerist, Gallery, Photo Print Collector, Photographer on February 4, 2016 at 2:56 pm
By, Dr. Dain L. Tasker, Image Courtesy of Joseph Bellows Galler

By, Dr. Dain L. Tasker, Image Courtesy of Joseph Bellows Galler

Joseph Bellows is currently hosting one of the more unique photography exhibitions you’ll likely get to experience this year. It’s a set of vintage x-ray floral photographs b Dr. Dain L. Tasker.

 

Dr. Tasker was the chief radiologist at Wilshire Hospital in Los Angeles when radiology was in its formative phase. In the late 1920’s inspired by his knowledge of the x-ray image process, and through his developing involvement with Pictorial photography, Dr. Tasker began to record numerous varieties of flowers with the x-ray process.

His results are among the most striking and unique floral images in the history of photography, delicate in their rendering of subtle tones and descriptive in the tracing of the flower’s fragile structure; fulfilling with out sentimentality, Tasker’s statement, “Flowers are the expression of the love life of plants”.

Tasker’s floral x-ray photographs, created in the 1930’s are timeless representations of their subject drawn by a distinct process that marries science and art, situating themselves as forerunners within certain experimental modes of contemporary photographic practice. Dr. Tasker’s modest, yet fully realized radiographs of flowers include a range of species and a wealth of structural beauty that is both inherent to their subject and an effect of the artist’s arrangement within the rectangular field that holds their form.

A limited edition monograph of Tasker’s work, Dr. Dain L. Tasker was published in 2000 by Stinehour Press. Tasker’s radiographs are in numerous public collections, including: Los Angeles County Museum of Art, Santa Barbara Museum of Art, San Francisco Museum of Modern Art, Museum of Fine Arts Houston, Center for Creative Photography, Museum of Fine Arts Boston, and the Smithsonian National Museum of American History.

The exhibit  will conclude on February 19th.

For More Information: Joseph Bellows Gallery

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Preview: Lower Manhattan: Vintage Photographs 1975-77, Bevan Davies, Deborah Bell Photographs, New York, NY

In Black and White Photography, Exhibits, Gallerist, Photo Print Collector, Photographer on December 29, 2015 at 11:51 am
480 Broadway, New York, 1979, Bevan Davies

480 Broadway, New York, 1979, Bevan Davies

New York City has served as inspiration for many, and Bevan Davies can certainly agree. His works from the mid-seventies celebrated the architecture of Lower Manhattan, and along with works from Los Angeles in 1976, will be on display next year at Deborah Bell Photographs.

Bevan Davies (American, b. 1941) studied photography with Bruce Davidson at the University of Chicago in the early 1960s and benefited greatly through mentoring from Diane Arbus later in that decade.  After a period of photographing people on the street, especially those at odds with society, in both daylight and evening hours with a hand-held camera, Davies changed his working methodology to describe the physical character of the city: the building façades, and the alleys and streets, with a tripod-mounted 5 x 7-inch view camera.

This change in subject and approach resulted in Davies’ most celebrated work.  When created in the mid-1970s, Bevan Davies’ architectural photographs situated themselves wholly within the dictum laid forth by William Jenkins as “New Topographics,” the title of the legendary exhibition Jenkins organized in 1975 at the George Eastman House in Rochester, New York.  Davies himself writes of his own approach as “an effort being made to let the camera almost see by itself.”  This notion was carried further by the late photographer Lewis Baltz who, in 1976, referred to Davies’ photographs as “rigorously contemporary, while acknowledging a use of the camera which dates from the inception of the medium.”  The images of New York façades, photographed in the early morning hours and devoid of people, describe spaces and shapes defined by light and shadow.  They depict a specific time and place, as evidenced by the window dressings and signage, and they portray a formal grace among the buildings’ details that are included within Davies’ ground glass.  The resulting 16 x 20-inch prints, with their glossy, ferrotyped surfaces and brilliant definition, are at once objective images and seductive objects.

The exhibit, which is being held in cooperation with Joseph Bellows Gallery of La Jolla, CA, will open on January 7th and conclude February 27th.

For More Information: Deborah Bell Photographs

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Preview: Trees of Burgundy, Wayne Gudmundson, Joseph Bellows Gallery, La Jolla, CA

In Black and White Photography, Exhibits, Gallerist, Gallery, Photo Print Collector, Photographer on November 16, 2015 at 10:26 pm
Saizy, France #9, Wayne Gudmundson, 2014

Saizy, France #9, Wayne Gudmundson, 2014

Joseph Bellows gallery will host the fall appropriate exhibition of Wayne Gudmundson, Trees of Burgundy.

In the exhibition Trees of Burgundy, Gudmundson depicts the beauty of theFrench countryside through observing the tree-lined roads within Saizy, a small farming community in the Burgundy region of France. In his eloquently organized photographs, he shows the viewer how these trees interact with, and in some measure create the landscape to which they belong; a richly layered landscape that suggests the possibility of narrative, real or imagined.

Wayne Gudmundson is a highly regarded photographer whose work has beenwritten about by such luminaries in the field as Robert Adams, Ben Lifson, and Frank Gohlke. His photographs have been featured in numerous books including his 2007 monograph, A Considered View: The Photographs of Wayne Gudmundson. Gudmundson’s photographs are in several prominent collections, including: the Museum of Modern Art, Center for Creative Photography, Plains Art Museum, and the San Francisco Museum of Modern Art.

Simultaneously running counterpoint to Gudmunson’s solo show is a similarly themed group show called Regarding Trees. This show surveys exemplary arboreal works of both the vintage and contemporary. 

Trees Of Burgundy will be on display until December 23rd.

For More Information: Joseph Bellows Gallery

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Preview: “Bijou” – Box Offices, Ave Pildas, Joseph Bellows Gallery, La Jolla, CA

In Black and White Photography, Exhibits, Gallerist, Gallery, Photo Print Collector on September 20, 2015 at 10:22 am
Untitled, from Bijou Series, Ave Pildas, 1975

Untitled, from Bijou Series, Ave Pildas, 1975

Fresh off their successful jaunt into the Americana of Roger Vail’s Carnival exhibit, Joseph Bellows Gallery continuing along a similar theme with the work of Ave Pildas. Pildas has effectively captured the essence of classic theaters, whom often blended a beautiful Art Deco aesthetic with direct minimalism.

Bijou will feature Pildas’ small-scale vintage black and white photographs from the mid 1970’s. These images document, as the exhibition’s title implies, the small jewel like structures that crown the façade of their theaters. Pildas’ frontal camera position and distance to his subject remain the same in each image. This methodology forms a visual inventory of varied theater box offices; a typology that surveys the remaining traces of a vanishing architectural and cinematic culture. 

Ave Pildas’ photographs are in the collections of the Museum of Modern Art, Milwaukee Art Museum, New York Public Library, Bibliotheca National, and the Center for Creative Photography, among others.

Books by Pildas include: Art Deco Los Angeles (Harper and Row, 1980) and Movie Palaces (Crown Press, 1982 and reissued by Hennessy and Ingalls in 2000).

The exhibit is now open for all whom are interested and will conclude October 24th. As an additional treat, Roger Vail’s Carnival has been given an extended viewing, allowing for a double dose of great photography.

For More Information: Joseph Bellows Gallery